Neutrik UK has appointed David Morbey to the newly created position of product marketing manager.

Morvey’s appointment marks the first time in the company’s history that it has created a full marketing role at management level. 

With more than 22 years of pro audio product marketing industry experience, Morbey has previously  held UK, European and international marketing and product management roles with leading industry brands. These include Allen & Heath, Denon Pro, Marantz Pro, Rane Contractor and Martin Audio, as well as numerous DJ, live sound, commercial AV, Custom Install and broadcast installation applications.

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Neutrik managing director Mark Perrins, who has previously worked with Morbey at D&M Professional, commented: “We are delighted to have the opportunity to appoint David to this key strategic role within Neutrik UK and I am personally delighted to be working with him once again.”

“I am truly excited to be joining a talented team at Neutrik UK,” Morbey added. “Neutrik has a long history as a market leader and innovator in the field of connectivity, and I am looking forward to helping shape brand strategy and sales growth in new and non traditional market sectors for the company’s expanding range of connectivity solutions.”

Neutrik UK

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Neutrik’s NA2-IO-DPRO mic preamp control has been added to Yamaha’s CL/QL Series of digital mixing consoles as part of a new 5.6 firmware update.

The CL/QL firmware update from Yamaha adds specific support for Neutrik’s I/O solution, providing greater flexibility in a network setup for Line, MIC and AES signals.

Florian Frick, product manager for Neutrik, commented: “There’s no doubt that the future within the Pro AV market is based on interoperability between different devices within an application. We have found the perfect partner with Yamaha to enable this feature for better ease of use and enhanced customer experience.” 

“Yamaha is delighted to have been able to integrate control of the NA2-IO-DPRO into the CL/QL series with the release of our V5.6 firmware,“ added Motome Tanaka, Yamaha manager, marketing and sales group. “This collaboration further extends the options for CL/QL systems. In combination with the R series, customers can make their systems even more flexible.“

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Neutrik UK has announced the appointment of a network of official regional resellers across Great Britain for its XIRIUM PRO digital wireless audio link system. 

The network of resellers extends sales, service and in-the-field expert support across the country, for both UK and visiting overseas XIRIUM PRO users.

The reseller network comprises Everything Audio in the south of England, Studiocare Professional Audio in northern England and the Midlands, and The Warehouse Sound Services in Scotland.

NEUTRIK XIRIUM PRO is a digital wireless audio link; a cable replacement system for digital audio signals over long distances. Based on proprietary DiWA (Digital Wireless Audio) technology, XIRIUM PRO transmits 24bit / 48kHz audio, in the license-free 5 GHz band.

The system is ideal for use in situations where it is overly time-consuming or operationally impractical to run audio cables.

Commenting for Neutrik UK, head of sales and marketing Andy Croucher said: "“We are supplying an ever increasing number of systems for use in a diverse range of applications, including art installations, national and local events, and major visitor attractions. 

"As the user base expands across the UK and throughout Europe, it necessary to have a suitably expert and experienced network of resellers who can support both UK based users and visiting production teams from abroad. In these three companies we clearly have that skill base and experience.”"

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Neutrik’s opticalCON fibre optic connector system helped leading Swiss broadcast service provider tpc Switzerland provide connectivity to last year’s Tour de Suisse, the world’s fourth largest cycle race.

For the Tour de Suisse, some of the outdoor broadcast conditions included temperatures in excess of 30 degrees, as well as driving rain and snow.

“The opticalCON fibre optic connector system was subjected to an extreme stress test during the Tour de Suisse,” said Martin Sturzenegger, the man responsible for the technical specification of tpc’s OB vehicle.

To provide technical flexibility during the tour, he came up with a technique of siting a hub at a strategically advantageous point, to assemble the signals transmitted from the various locations and save on cable runs. He carried out several test runs before deciding to use the opticalCON MTP24 lightweight 24-channel mobile field cable, for the single cable run between the broadcasting van and the assembly point.

“For me, that was the most important cable in the production of the Tour de Suisse, because we only had this one cable from the hub to the broadcasting van,” he added.

Seven production vehicles covered the Tour de Suisse and had to be taken to a new end stage for each of the nine days, brought into full working order and then dismantled again. Every day around 4.5km of cable was unrolled.

The opticalCON MTP cable connector has a robust metal casing, while its spherical dust cover protects the fibre optics from dirt. The precise fit of the push-pull connector modules enables easy use of the opticalCON fibre optic connector system, something Neutrik product manager Fabio Röllin describes as “one of our core competences”.

The opticalCON MTP24 worked perfectly throughout the Tour de Suisse, suffered no damage and required no cleaning, according to Sturzenegger.

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The NAMM Foundation has announced that eight ‘culturally significant’ musical inventions ranging from 1954 through 1998 will be inducted to its TECnology Hall of Fame in a special ceremony at The NAMM Show in Anaheim, California.

The ceremony will be presented by The NAMM Museum of Making Music and will be hosted by veteran pro audio journalist George Petersen.

Founded in 2004 to honour and recognise audio products and innovations that have made a significant contribution to the advancement of audio technology, each entry must be at least 10 years or older to be considered for the honour.

The foundation believes each of the inductees has demonstrated a staying power that has both influenced and transcended many generations of music-makers.

The 2017 TECnology Hall of Fame inductees are as follows:

1954

Decca Tree

1960

Neumann U67 Condenser Microphone

1966

The Wah-Wah Pedal

1976

TASCAM 80-8

1978

The Wendel Drum Machine

1985

API Audio Lunchbox 500-series

1987

Neutrik Speakon connector

1998

AEA R44-C ribbon microphone

The TECnology Hall of Fame Ceremony will take place from 2-4pm on Saturday, January 21 in Room 202A, several hours before the NAMM Foundation celebrates the pro audio community at the 32nd Annual NAMM TEC Awards.

Winners in the categories of Outstanding Technical Achievement and Outstanding Creative Achievement will be announced during the TEC Awards show, hosted by comedian Sinbad. Aerosmith co-founder and lead guitarist Joe Perry will receive the prestigious Les Paul Award and perform several songs, while the band’s engineer and producer Jack Douglas will be inducted into the NAMM TEC Hall of Fame.

Tickets for The NAMM TEC Awards can be purchased on site or in advance here for $50 (general admission) or $175 (VIP).

https://www.namm.org/thenammshow/2017

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Klark Teknik has announced that its 1176-KT FET-style compressor, which marks homage to the classic 1176LN model, is now shipping.

The 1176-KT has a modernised and discrete signal path utilising custom-engineered MIDAS input and output transformers.

With an easy to operate user interface, the compressor offers three ratios: 4:1 for moderate compression; 8:1 for severe compression: 12:1 for mild limiting; and 20:1 for hard limiting. Additionally, ‘All-button’ mode is included for aggressive vocals and especially effective when applied to drums, bass, guitar and room microphones.

An attack knob adjusts the time it takes for the compressor to respond to audio that exceeds the threshold. To accompany this, a release knob adjusts how long the compressor remains engaged after incoming audio falls below the threshold. Similarly to the attack knob, the release knob response time is faster when clockwise and slower when counter-clockwise.

An illuminated vintage-style VU meter keeps the 1176-KT in style with the original Klark Teknik processor, applying visual confirmation of gain reduction and output level based on which meter button is selected.

The 1176-KT comes in a 2U steel rack mount enclosure for live touring. Neutrik XLR connectors ensure reliable audio connection while a universal power supply with auto-voltage sensing is included for worldwide usability.

It is available at a suggested list price of $689.99.

https://www.music-group.com/brand/klarkteknik/home

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FBT has revealed its new modular Vertus CS1000 compact line array, designed to offer a ‘no-compromise choice’ for live performers and installers.

The system can be deployed on stage within minutes, making it ideal for performers, or taking advantage of its discreteness, can be integrated into the most sophisticated locations.

A bi-amplified design, the Vertus CS1000 comprises a long excursion 12” bass reflex subwoofer and a passive mounted satellite, linked via a Neutrik SPEAKON connector, equipped with six full-range neodymium 3” drivers. Onboard the subwoofer is a Class-D, two channel amplifier, complete with switch-mode power supply, delivering 600W RMS to the subwoofer and 400W RMS to the satellite, both of which are housed in birch plywood enclosures.

For ease of use, a storage compartment is provided within the subwoofer enclosure to securely house both the satellite speaker and its supplied mounting pole for storage and transport. A dedicated locking system holds all of the equipment in place.

As with all FBT products, ease of use is exemplified by a novel mounting pole arrangement. Comprising three sections, the pole allows users to alter the height of the satellite to suit their requirements, while a custom joint provides continuous vertical adjustment to ensure precise coverage in every venue. The slim proportions of the satellite facilitates a wide horizontal dispersion of 110°, while the precision placement of the six 3” drivers to form a J-array creates a vertical dispersion of 30° (+10° / -20°).

If more power is required, two of the systems can be deployed in a dual configuration to form a much more powerful option. By stacking the two subwoofers and locking the two satellites together end-to-end (via optional hardware), the maximum SPL of the overall system is raised by 6dB. Coverage is also extended – although the horizontal dispersion remains consistent, vertical dispersion increases to 40° (+20° / -20°).

Weighing 25.9 kg, the Vertus CS1000 delivers 129dB continuous across 40Hz-20kHz and comes with a built-in DSP offering eight presets. Control panel features include master volume, presets, satellite volume, HPF, and LED status.

The FBT Vertus CS1000 is available immediately.

http://www.fbtaudio.co.uk/

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Neutrik has revealed its XIRIUM PRO wireless digital audio system, a cable replacement system designed to provide audio signals to and from devices without long or complicated cable runs.

According to Neutrik, XIRIUM PRO delivers studio quality, full bandwidth audio with extremely low latency that is free of any compression or companion. Thanks to DiWA (Digital Wireless Audio) technology, the system offers audio professionals ‘tremendous’ versatility, ease of operation, and FCC licence-free audio, suited to a myriad of live sound applications ranging from concert and theatrical performance to worship and presentation/conference use.

XIRIUM PRO is a modular system that enables maximum flexibility of signal type, with both input and output modules available for analogue, AES and Dante. The system facilitates the transmission of all three audio formats with transmission distance ‘cable replacement length’ of greater than half a mile (>1 Km line-of-sight). The system works with mixed signal types, including analogue TX (transmission) to AES RX (receive), Dante TX to analogue RX, and so forth, providing RF output of up to two Watts when used with a high-gain antenna.

Flexibility is a key attribute of the XIRIUM PRO, with its configurations supporting as many as ten discrete channels of audio via five transmission units. On the receiving side, the wireless digital audio system supports an unlimited number of receivers. As long as a receiver can ‘see’ the transmitter’s signal, audio engineers can use as many receivers as necessary for their project. Additionally, a repeater module is available that converts any receiver module into a repeater unit.

Peter Milbery, president of Neutrik USA, commented on the company’s new system: “XIRIUM PRO offers convenience and capability for audio engineers working in a wide range of environments. Engineers, artists, and project designers can now think beyond the physical limitations of the traditional audio cable. Sound equipment such as loudspeakers, amplifiers, and mixing consoles can now be positioned for optimal audio performance and what makes the most acoustic sense – allowing artistry and sonic performance to take priority over venue logistics.”

Neutrik’s XIRIUM PRO Wireless Digital Audio System is expected to be available during the first quarter of 2016.

https://www.neutrik.lu/xirium-pro/

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D.A.S. Audio has introduced the Event series, a range of line array systems for small to medium-level sound reinforcement applications.

Ideal for permanent installations and mobile systems, the new line consists of three models – two line arrays (Event 208A and 210A) and a companion bass system.

Both Event 208A and 210A are three-way powered line arrays in double 8” and 10” configurations respectively. The loudspeaker units have been combined with a single M-75 compression driver and injected aluminium high frequency waveguide. The two line arrays are also powered by a three-channel Class D amplifier, which provides 360 Watts peak per channel.

The rear panel on the amplifier features Neutrik XLR and powerCON connectors, status LEDs and a D.A.S. Easy-DSPTM interface, which simplifies preset selection for the number of units and throw depth.

The twin 18” sub utilises the manufacturer’s LX series long-excursion loudspeakers for solid bass response. Designed to be coupled with the 208A and 210A, the front-loaded system is powered by a 3,600-Watt peak Class D amplifier, and achieves a rated maximum peak SPL of 140 dB.

The amplifier is equipped with a Cardioid Preset mode switch, which enables specific signal treatment for easy set-up of pairs of systems in cardioid subwoofer applications.

All units offer professional-grade Baltic Birch plywood construction, and are finished with D.A.S. ISO-flex paint.

Steel rigging hardware is included on the line array systems, allowing for safe and precise flying. A range of accessories are also available, along with transport dollies and protective covers for all models.

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JBL Professional has released white versions of its PRX415M and PRX412M passive portable loudspeakers.

The PRX415M-WH and PRX412M-WH can be used as floor monitors or for overhead suspension in permanent installation applications. As with all PRX400 Series loudspeakers, they are designed to work with Crown Audio’s XTi2 Series amplifiers.

XTi2 amps incorporate enhanced pre-set performance tunings for the PRX400 Series, including crossover points for a sat/subwoofer setup, and optimised parametric filters that bring out the full potential of the speakers. JBL PRX400 tunings are also available in the dbx DriveRack PA+ signal processor/complete loudspeaker management system.

“The PRX400 Series has been a tremendous success for end-users and sound contractors who require exceptional sound and rugged reliability in a passive loudspeaker format,” said Andy Flint, senior manager, portable PA marketing, JBL Loudspeaker Group. “In addition to our commitment to providing market-leading audio performance, the PRX415M-WH and PRX412M-WH demonstrate our commitment to providing a variety of aesthetic options for audio applications.”

The new models utilise high-quality, tour-tested drivers and components, which deliver clear, detailed and dynamic sound for bands, DJs, nightclubs, schools, houses of worship and other professional touring and installed sound applications. They feature Neutrik SpeakON combination connectors and are built from lightweight, yet tough 18mm birch/poplar multi-laminate hardwood covered in JBL’s DuraFlex covering. They also include rugged 16 gauge steel grilles with acoustically transparent white cloth backing.

The PRX415M-WH and PRX412M-WH incorporate twelve M-10 suspension points and hardened steel eyebolts for safe hanging in small installations. In common with all JBL Professional products, they have survived JBL’s power test, in which they are submitted to 100 hours of continuous, high-level input.

The speakers also go through a variety of environmental and strength trials, including harsh temperatures and humidity, ensuring they will perform well anywhere. They also incorporate JBL’s Sonic Guard speaker protection circuit, which automatically attenuates the signal going into the high-frequency section of the speaker if too much input signal is detected, and restores normal operation when the overload condition passes.

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