Studiomaster is showing a number of its products for the first time in Europe at Prolight + Sound next week, including the digiLiVE 16RS (main image) and self-powered digiLiVE 16P-600 digital mixers.

The two new units use the same simultaneous integrated touchscreen and iPad operation as the original digiLiVE 16 compact mixer, which has shipped over 2000 units since its introduction in mid 2016, all in a rack-mount, ‘black-box’ form-factor.

Also being shown for the first time in Europe is an upgrade to the LIVESYS5 micro PA/powered monitor system, which adds SD/USB record and playout, and Bluetooth playout, while two new class-D power amplifier series – the HX and QX – offer 2- and 4-channel models with power ratings in excess of 2 x 500 W and 2 x 9500 W, respectively.

The digiLiVE 16RS and self-powered digiLiVE 16P-600 are ideally suited for a range of applications including AV installations, small performance venues, music bars and houses of worship; or as a dedicated monitor mixing solution when used with the iPad App.

The mixers share the same 16 input, 16 bus, 8 FX bus format of the digiLivE 16. The 16RS features 2 XLR L/R master outs and 6 configurable ‘smart’ outputs, and the 16P-600, 4 ‘smart’ XLR outputs and 4 x 150 W RMS (4 ohms) class-D power amplifiers. The 16 inputs are configured as 12 mic/line and 2 stereo on both models, and both also sport digital S/PDIF I/O and AES-EBU output, as well as a USB interface, 40-bit floating point SHARC processing, and 192 kHz/24 bit AD/DA.

Meanwhile, the ultra lightweight and compact 1U HX power amp series (pictured, above) – designed for commercial installation, conferencing, small and medium scale sound reinforcement and rental applications – includes high efficiency power factor correction (PFC), Thermal, Overload and DC protection, protection and Status indicators, output limiter, multiple gain modes, and more.

2- and 4-channel models with stereo/parallel/bridge mode operation provide reliable and efficient operation at 2 ohm loads. The eight models in the range include four 2-channel models, rated at 300W, 500W, 700W and 900W (at 8 ohms), and four 4-channel models rated at 600W, 1000W, 1400W and 1800W (at 8 ohms).

The QX series (pictured, above) on the other hand is intended for large to very large-scale, high-end sound reinforcement, installation and rental applications. Featuring stable performance under high current, low impedance (2 ohms) conditions, the QX series comprises three 2-channel models rated at 3000W, 4000W and 6000W and two 4-channel models rated at 6000W and 8000W (all at 8 ohms).

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Studiomaster has extended its new digiLiVE16 range with new models being shown for the first time at Prolight + Sound (booth #H40 in Hall 4.1) this week.

The digiLiVE16R is an ultra-compact “blackbox” iPad driven version of the new Studiomaster digiLiVE16 hybrid concept micro-mixer. The digiLiVE16 with simultaneous remote tablet and console operation is also on show at the company’s booth.

The digiLiVE16R mixer provides identical internal features and buss specifications to the console format digiLiVE16, and is fully Wi-Fi controllable from an iPad. With a 16 input / 16 bus / 8 output configuration, the mixer features DSP technology, including 40-bit floating point, 4th generation SHARC internal processing and proprietary mix algorithms for EQ, dynamics and FX.

12 XLR mic input channels, 24 bit/48 kHz AD / DA conversion, and up to eight internal effects busses – with reverb, delay, 15 band EQ and modulation, are included on the spec list.

The eight ‘smart’ XLR analogue outputs are assignable. Outputs also include digital AES/EBU and SPDIF. A USB interface supports playback and recording, scene storage and system updating.

The manufacturer is also expanding the breadth of its SR speaker offering with the introduction of its TOWER compact, iPad mix controllable column-array system, incorporating the same digiLiVE16R; the first portable column speaker system to include a fully-fledged digital mix system.

Three different column array cabinets are available in variable configurations for use with the 1216: 4×4”, 6×3” and 8×2”.

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Studiomaster has further expanded its mixer and speaker PA offerings, including new active PA cabinets with wireless and USB/SD playback connectivity, the digiLiVE 16 hybrid control surface/tablet-operated micro-mixer and more CLUB XS ultra-compact analogue desk models.

Shown for the first time at the recent Music China show in Shanghai were several new additions to Studiomaster’s latest DRIVE series of 2-way active, portable injection-moulded PA cabinets – the bDRIVE 10A and bDRIVE 10AU, along with the DRIVE 12 AU and DRIVE 15 AU. The dDRIVE models sport a different facia design, while AU suffixed models all feature an integrated digital media player, featuring Bluetooth wireless and USB media/SD card stereo playback, as well as USB/SD card stereo recording.

The new models join the initial DRIVE 12A and DRIVE 15A models introduced earlier this year.

Measuring just 350 x 380 x 150mm, digiLiVE 16 (pictured) is Studiomaster’s new hybrid concept micro-mixer, designed to provide an entry point into the high performance compact digital mixer sector. Featuring simultaneous fixed surface/remote tablet operation, digiLiVE seamlessly marries the moving-fader and touch-screen control of a physical mixing console with simultaneous remote tablet operation, the company says.

With a 16-input/16-bus/8-output configuration, the digiLiVE control surface integrates a 7-inch (Android OS) high-resolution touch-screen and 100mm moving fader/hardware control operation. According to Studiomaster, simultaneous (iOS and Android) tablet operation facilitates both remote mix control and “onboard” extended graphical interface functionality when docked with the desk – with enhanced metering and display of other channel and buss functions. ‘State-of-the-art’ DSP technology includes 40-bit floating point on 4th generation SHARC processing and proprietary mix algorithms, for EQ, dynamics and FX.

It is also equipped with a total of 12 XLR mic input channels, 24-bit/192 kHz AD/DA conversion and up to eight internal effects busses – with reverb, delay, 15-band EQ and modulation. The eight ‘smart’ XLR analogue outputs are assignable, while outputs also include digital AES/EBU and SPDIF. Two USB interfaces (1x front and 1x rear panel) support playback and recording, as well as scene storage and system updating. WiFi and Bluetooth wireless connectivity are supported.

Also in the micro-mixer product category, two new models in the CLUB XS series were also launched at Music China. Built to be a highly price/spec competitive portable mixer series, featuring integrated Bluetooth wireless with USB media/SD card stereo playback and USB/SD card recording from the main stereo mix buss, the new CLUB XS 6 and XS 12 complement the current X 8 and X 10 models.

Balanced XLR inputs and ¼ inch jack inputs, phantom power, 3-band EQ, hi-pass filter, and built in compressor are featured on all mic/line input channels. Two stereo line input channels on each model feature 2-band EQ; all channels feature channel mute and two Aux controls. Other features include 60mm faders, balanced XLR outputs, control room output, two sends and a stereo return, along with onboard FX. XS 6 has two mic/line input channels; XS 8, four mic/line input channels; XS 10, six mic/line input channels; XS 12, eight mic/line input channels.

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Studiomaster has announced it is now shipping the new LIVESYS5 portable micro-PA and stage monitor throughout Europe.

Measuring 290 x 210 x 175mm and weighing in at 3.3kg, the 150W self-powered speaker system with integrated mixer is a highly versatile solution for all manner of "carry-on" performance, playback, presentation and public address applications.

In addition, the LIVESYS5 can be used as a stage-monitor system – either floor-standing or up close – thanks to the supplied mic stand mounting kit for drummers and percussionists, keyboard players, solo instrumentalists and singers or DJs.

The class-D powered 5in speaker system provides 150W continuous and 300W peak power, featuring a low noise 3-channel mixer section with two mic/line inputs on XLR (balanced) / TRS (unbalanced) combo connectors and a line input on stereo phono or 35mm jack connectors. 3-band EQ, switchable 48V phantom power and on-board effect are all included.

A rear-mounted XLR/TRS input allows for the connection of a stage monitor signal, while an XLR ‘thru’ output is mic/line level selectable (with switchable phantom power) to enable supply of mic or line signal from the LIVESYS5 to a FOH mixer, or to feed a further monitor speaker.

With a street price of £139, the LIVESYS5 is ‘uniquely feature/price competitive in the micro-PA product sector. Studiomaster says.

“Expanding our portable PA range is a key element in increasing our presence in the MI market,” said Studiomaster general manager (and sales and marketing manager) Patrick Almond. “Products like the LIVESYS5 are key in opening up new opportunities for us; being so versatile, the LIVESYS5 offers more than just a portable PA, it is also designed for personal monitoring, using the included mic stand mounting kit.

“The first shipment of the LIVESYS5 has now landed in the UK, and we are shipping the back orders. LIVESYS5 follows on the terrific success of other latest PA products, the CLUBXS mixer series and DRIVE powered speaker series. These products are rapidly re-establishing a clear and cohesive product portfolio for Studiomaster that is improving brand recognition.”

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Studiomaster experienced its best consecutive sales months in more than three years this June and July, the company has reported.

Record sales driven particularly by its new PA speaker and compact mixing desk ranges – DRIVE, Venture and ClubXS – are on course to give the manufacturer its record third quarter in recent times.

ClubXS and DRIVE were shown at Frankfurt this year, where a number of new products made their European debuts. The launch of new PA product continued apace at the recent MIRC Expo where Studiomaster introduced the LIVESYS5 portable micro PA and monitor system (pictured). The class-D powered 5in speaker system, provides 150W continuous and 300W peak power, and features a low noise 3-channel mixer section with two mic/line inputs on XLR (balanced)/TRS (unbalanced) combo connectors and a line input on stereo phono or 35mm jack connectors.

Three-band EQ, switchable 48V phantom power and on-board effect are all included, as is a mic stand mounting system whereby the monitor can be fixed to the mic stand for “ear level” monitoring applications. A rear mounted XLR/TRS input enables connection of stage monitor signal, while an XLR ‘thru’ output is mic/line level selectable (with switchable phantom power) to enable supply of mic or line signal from the LIVESYS5 to a FOH mixer, or to feed a further monitor speaker.

The firm has also re-established its European self-distribution, its joint HQ, distribution and logistics centre with partner brand Carlsbro. General manager Patrick Almond emphasises it is the conjunction of both of these developments that has created the perfect storm: “Precisely when the benefits of re-establishing our own European distribution and logistics are coming to fruition, we have introduced a number of new products, at the most competitive end of the market, which have really hit the spot, in terms of feature sets, specs and price. We cannot land the new DRIVE injection moulded cabs and the ClubXS compact mixers fast enough; everything that’s already on the water is fast becoming sold out. Additional shipments are being dispatched to catch up with the demand.

“There is also rising demand for our very high performance Venture series compact wood cabinets; in both the self-powered and passive variants. Together, they form an appealing portfolio of products for playback and performance installation applications, offering superior quality over price comparable alternatives from major brands. Also features such as high quality class-D amplification and driver components in the self-powered speakers, and the SD card, USB and Bluetooth connectivity playback on the ClubXS mixers are providing a competitive advantage.”

With a street price of £139/200€, the LIVESYS5 is a ‘highly price competitive and versatile portable “on the spot” reinforcement solution for all kinds of live events, conferences and conventions, meetings, education, indoor and outdoor activities, and small performances’. It also configures as a self-powered/self controlled personal monitor system for all kinds of solo performers, and band members, including keyboard players and drummers, and for DJs.

“The LIVESYS5 is expected to land in September and we have already written significant orders for these,” concluded Almond. “Available stock from the initial shipment is going to be limited, so forward ordering is highly recommended.” 

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Studiomaster is set to launch digiLiVE, a new ultra-compact digital audio mixer at Musikmesse and Prolight + Sound simultaneously.

digiLiVE 16 is a 16-input, 16-bus, eight-output digital audio mixer sporting a control surface integrating a 7in Android-driven high-resolution touch-screen and eight motorised 100mm fader operation, alongside fully remote (iOS and Android) tablet operation. The company will be showing the new mixers on its stands in both the Prolight + Sound and Musikmesse exhibition halls.

The 16 inputs include 12 professional mic input channels; AD/DA conversion is 24-bit/192 kHz and there are up to eight internal effects busses with reverb, delay, 15-band EQ and modulation. The eight ‘smart’ XLR analogue outputs are assignable, and outputs also include digital AES/EBU ands SPDIF. Two USB interfaces are included (front and rear panel) supporting playback and recording, scene storage and system updating, while WiFi and Bluetooth wireless connectivity are supported. 

Other new Studiomaster products being shown at Prolight + Sound include the European debut of the VISION compact analogue mixer series. VISION is available in unpowered (VISION 8) and powered 2x500W (VISION 1008) and 2x1000W (VISION 2008) variants, featuring ultra-lightweight ‘audiophile-quality’ Class-D amplification. All models feature eight channels – six mic and two stereo and 9-band graphic EQ.

Also making its European debut is the DRIVE series of two-way, active, portable injection-moulded PA cabinets. DRIVE 4A is a 12in LF/34mm compression HF driver combination, and the DRIVE 6A a 15in LF/34mm compression HF driver combination; both models are powered with 310W RMS (1200W peak) class-D amplification, delivering 126/127dB max SPL respectively. The rear input/control panel includes mic and line inputs, 3-band EQ and gain and level controls with a balanced link output. 8-ohm passive variants are rated at 500W and 600W continuous program power (1000W/1200W peak). All models are fitted with 35mm speaker pole connectors and five M10 flying points and recessed side and top carry handles.

ClubXS, a portable mixer series will also be debuted. Two models, the XS8 and XS10, both feature onboard FX, integrated USB/SD card stereo media player and USB/SD card recording from main mix. They also include Bluetooth connection for playback, 60mm faders, balanced XLR outputs, control room output, two sends and a stereo return. All mic input channels have 3-band EQ, hi-pass filter and built-in compressor. Line input channels feature 2-band EQ; all channels feature channel mute and two Aux controls. The XS8 has four mic and two stereo inputs, while the XS10 has six mic and two stereo inputs. An internal super-quiet switched-mode power supply and phantom power on all mic inputs also feature. 

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Studiomaster has announced that the details of its new Class AD Polyphase proprietary amplifier are available on its website.

The new amplifier design was first announced at this year’s Prolight+Sound exhibition in Frankfurt and is now available as a technical document. The technology is said to provide for “major improvements in sound quality, efficiency and power density over current Class D designs”. A highlight of the amps topology is the integration of a Studiomaster patented ‘polyphase’ output stage. This has been designed as a means to achieve the equivalent sonic performance of a pure analogue design and greater efficiency than a Class D amplifier, thus enabling better sounding, more compact devices and power circuit integration.

Head of R&D Paul Belcher stated: “Innovation has always been at the heart of Studiomaster’s R&D, from the very beginnings of the company and developments like this demonstrate that that is still very much the case. We are already developing new designs that exploit this new amplifier technology across a range of product categories.”

The full document can be read here: http://www.studiomaster.com/files/ClassADamp_techref.pdf

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Studiomaster is searching for a sales development manager who will be based in its Leighton Buzzard, Bedfordhire, UK offices.

The ideal candidate would be experienced in live sound and recording, with pro audio sales and distribution experience.

The role will involve developing and growing sales in territories within the UK, or within the EMEA and worldwide territories. It will require frequent visits to customers and travel throughout assigned sales territories in order to promote the Studiomaster brand and products.

Click here to read more.

To apply, please send a short letter of application (including your CV and current salary) to: Patrick Almond, Studioking Limited, Unit 1 Youngs Industrial Estate, Stanbridge Road, Leighton Buzzard, Bedfordshire LU7 4QB or by email to: patrick@studiomaster.com

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Studiomaster has introduced its first live digital mixer, the Digilive 16, in Frankfurt. This is just one of a number of new products from the company.

Developed from the ground up utilising an entirely new proprietary DSP mix platform, the Digilive 16 incorporates an extensive array of production features, including specially developed ultra-low distortion eq filters and compressors, 24-bit Delta-Sigma AD/DA converters, and twin, 4th generation 32/40-bit floating-point SHARC processors.

The console’s sound quality, reports the firm, is of the highest order, rivalling far higher cost, larger scale analog and digital consoles. "The wide dynamic range, low noise performance starts with new mic pre-amps, with exemplary high CMRR and signal-to-noise specifications," a press release read.

Operationally the design is said to combine the feel and speed of an analog desk with powerful digital control capabilities, including 16 motorised faders, hi-resolution TFT colour display, scene recall of all functions and more.

Though designed primarily as a live mixing console, an optional Firewire interface provides the Studiomaster Digilive 16 with extensive sound recording and production capabilities.

The system also offers expansion options; rackmount expander modules provide for extension of the 16-channel mixer up to a 48-channel mix system.

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